American, 1854-1907 American painter. He trained at the Pennsylvania Academy of Fine Arts (1877-8), Philadelphia, where he became a friend of William Michael Harnett whose work was a dominant influence on his oeuvre. Peto maintained a studio in Philadelphia, exhibiting at the Academy from 1879 to 1887; he earned a living through occasional work as a photographer, sculptor and painter. After moving to Island Heights, NJ, in 1889,   Related Paintings of Peto, John Frederick :. | The Poor Man s Store | Lincoln and the 25 Cent Note | Discarded Treasures | Reminiscences of 1865 | Office Board for Smith Brothers Coal Company |
Related Artists:
Henry Perronet Briggs
British Painter, ca.1791-1844
Ecce Homo
are the Latin words used by Pontius Pilate in the Vulgate translation of the John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The King James Version translates the phrase into English as Behold the Man. The scene is widely depicted in Christian art. The Ecce homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem. But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.
Franz Roubaud
was a Russian painter who created some of the largest and best known panoramic paintings. Roubaud was born on 15 June 1856 in Odessa and attended an art school there. In 1877 he went to Munich, where he studied at the Munich Academy. He then settled in Saint Petersburg, working in the Imperial Academy of Arts and painting huge panorams of historical battles - Storm of Achulgo (1896, Tiflis, now under the restoration in the museun of graphic arts in Makhachkala), Siege of Sevastopol (1854) (unveiled in 1905, damaged during the Siege of Sevastopol (1942), restored in the 1950s), Battle of Borodino (1911, moved to Poklonnaya Hill in Moscow in 1962) and the Russo-Persian War (1804-1813). His works were so large that they had to be exhibited in pavilions specially built for that purpose. In 1913, Roubaud left Russia for Munich, where he died on 13 March 1928.